FALLOUT_SHELTER_NYC

FALLOUT SHELTER NYC IS AN ATTEMPT TO FIND AND CENTRALIZE THE ATOMIC HISTORY OF THE NYC AREA AND THE EASTERN SUBURBS OF LONG ISLAND NY AND THE NUCLEAR GENIE THAT BEGGED TO BE LET LOOSE AND ITS ATOMIC MASTERS THE US NUCLEAR FORCES - DECLASSIFIED-DESANITIZED- ARCHIVAL FILM FOOTAGE,PICTURES,STORIES FROM THE COLD WAR TELLING THE STORY OF A WAR THAT WAS ANYTHING BUT COLD-THE CIVIL DEFENSE, THE STRATEGIC DEFENSE ,THE NATIONAL DEFENSE ,THE ARMED DEFENSE ,AND THE OTHER SIDE OF THE FENCE

ATTENTION!!!! PLEASE READ BEFORE ENTERING SITE

ATTENTION! ATTENTION! ATTENTION!

*** its been brought to my attention that some of the embedded movies are not downloading when opening this blog. There are literally hundreds of embed movies and they are there, So please reload the blog and you will find your movie or picture that did not load, Contact the Fallout Shelter Warden @ falloutshelternyc@gmail.com we are still down here waiting and since TRUMP became POTUS it won't be long....

THE LAYOUT OF THIS BLOG IS ODD , PUNCUATION AND SPELLING HAVE SUFFERED AS MOST OF THIS BLOG WAS DONE ON A TABLET AND CELL PHONE, YOU CAN BE AN ELITIST AND SAY ITS THE WORK OF A CHILD OR YOU CAN ENJOY IT. THE VARIOUS POSTS YOU WILL SEE ARE SEMI PERMANENT, MOSTLY THE FILMS,THE MONTHLY POSTINGS ARE LOCATED MID WAY DOWN AS YOU SCROLL TOWARDS THE BOTTOM, USE THE DIRECTORY OF POSTS TO FIND A PARTICULAR POST AND IT WILL BE FOUND MIDWAY DOWN AS YOU SCROLL DOWN TOWARDS THE PERMANENT DECLASSIFIED ATOMIC FILM COLLECTION. IT IS A LITTLE DIFFICULT TO NAVIGATE BUT THERE ARE HUNDREDS OF POSTS ON LOCAL NEW YORK / LONG ISLAND ATOMIC HISTORY LOTS OF ATOMIC AGE ART AND PROPAGANDA, NEVER SEEN ATOMIC KITSCH AND MORE! BE PATIENT, USE THE POST DIRECTORY, SCROLL TO THE BOTTOM TO SEE IT ALL AND YOU WILL BE REWARDED WITH A TRIP UNDERGROUND IN FALLOUT SHELTER NYC , AND PLEASE FEEL FREE TO LEAVE COMMENTS, ENJOY, SHELTER WARDEN0910

THE FALLOUT SHELTER STARTS HERE SIGN IN WITH THE FALLOUT SHELTER OFFICER UPON ARRIVAL

WELCOME- THIS BLOG HAS MANY POSTS THAT CAN BE FOUND ABOVE IN THE TABLE OF CONTENTS, I TRY TO ADD THINGS MONTHLY SO ALWAYS CHECK BACK. THE MAIN SECTION OF FALLOUT SHELTER NYC DOES START HERE AND YOU CAN SCROLL ALL THE WAY DOWN TO THE BOTTOM OF THIS PAGE AND FIND DOZENS OF DECLASSIFIED NUCLEAR TEST MOVIES AND CIVIL DEFENSE FEATURES, THERE ARE LOTS OF POSTS TO GO THROUGH AND YOU WILL FIND SOMETHING GUARANTEED THAT WILL HAVE YOU COMING HERE MORE, SO DECONTAMINATE ,FIND YOUR BEDDING AREA AND RECEIVE YOUR SHELTER RATIONS WHO KNOWS HOW LONG YOU WILL BE HERE FOR.

Friday, December 20, 2019

1978 DEFENSE CIVIL PREPAREDNESS AGENCY ONE OF THE LAST NUCLEAR ATTACK PROPAGANDA FILMS "PROTECTION IN THE NUCLEAR AGE"

Despite this film being a us government production and done in cartoon as to prolong its shelf life so its not easy to date it is in fact one of the scariest information films i have seen. This would be played across the United States during International crisis or if a Nuclear Attack was imminent the basic information accompanied by the sound effects and the matter of fact way its presented is scary. This is the best our Government could come up with as the cold war was entering a dangerous time in our history. The Reagan years when more chances of Nuclear War happened than under any other president and Reagan provoked Russia with his SDI program and Bombers and by calling the Soviets the evil empire along with his radio gaffe among lots of things. this DCPA film should be watched as it closed the era of Civil Defense since most americans abandoned community shelter plans and Civil Defense groups during this period as FEMA stepped in and took the reins got rid of the familiar "CD" logo and name and concentrated on natural disaster or Human error even going as far as removing the course offered by their EMI program "Nuclear Attack" . We all got to see FEMA and their new upgraded form of Civil Defense during Hurricane Katrina thats is scary had they left Civil Defense in place New Orleans might have been spared the hell they went through. Imagine a Nuclear Attack occurs in this day and age after FEMAs great response to a Hurricane? God Help Us All... Enjoy the last of the Civil Defense era propaganda films and be thankful we haven't been attacked.

The script for Protection in the Nuclear Age is both tragic and comic. Above all, the picture portrayed of nuclear war is catastrophically misleading to the American public, because it offers a best case scenario as the only case. The film is a prime example of overly optimistic estimates of survivability in a nuclear war.

-- Gary L. Guertner, The Bulletin of the Atomic Scientists, June 1980

One might assume that the last major movie produced for the U.S. government on the topic of surviving a nuclear war would be more realistic than one made in 1951 – an era before intercontinental ballistic missiles. Surprisingly, this is not the case. CONELRAD recently acquired a copy of Protection in the Nuclear Age, a 16mm motion picture produced in 1978 by Trio Productions, Inc. for the Defense Civil Preparedness Agency (the DCPA was one of the many successor organizations to the FCDA). It is, if anything, even more misleading than the first generation of official survival movies.

Like Survival Under an Atomic Attack before it,Protection in the Nuclear Age began life as a government pamphlet. The 68-page booklet, published by the Government Printing Office in 1977, takes the reader on a heavily illustrated journey to a place called hope. Some of the helpful information imparted includes the following:

A twenty-five megaton nuclear blast is substantially worse than a one megaton explosion…

A cabin cruiser is a perfectly acceptable fallout shelter…

Don’t bring guns, booze or drugs to your civil defense relocation area…

Know where your public shelter is…

Don’t use the telephone during an attack!

The pamphlet does not concern itself with what life might be like after the nuclear war. Like a fine novel, it leaves the reader with something to ponder. Actually, the booklet ends rather abruptly—not with a closing dose of optimism, but with a page declaring that radiation sickness is not contagious.

The 23-minute movie adaptation of Protection in the Nuclear Age is an understated affair. Its narrator dispenses the “facts” of attack and survival in a subdued monotone that is complimented by a very minimalist music score. By contrast, Survival Under an Atomic Attackbegins with the booming voice of Edward R. Murrow and music from what sounds like a World War II movie.

Certain segments of the animated Protection in the Nuclear Age are acted out by stick figures. In the early 1980s, an employee of the Federal Emergency Management Agency (FEMA is the agency that replaced DCPA in 1979) explained to author Edward Zuckerman that the decision to forgo live action was made, in part, to prolong the shelf-life of the film. Zuckerman quotes the spokesperson in his essential 1984 book, The Day After World War III, as saying simply: “Stick figures don’t get obsolete as fashion changes.”

Protection in the Nuclear Age begins with a view of the planet earth from space. The narrator intones:

“We live in a world of tension and conflict. And peace, even where it does exist, does so without guarantees for tomorrow. We must therefore face the hard reality that someday a nuclear attack against the United States might occur. And—equally important—we must also realize that horrifying as that prospect may seem, destructive as such an attack might be, we can survive. It would not mean the end of the world, the end of our nation. And you can greatly improve your chances of survival if you’ll remember these facts—about Protection in the Nuclear Age.”

Oddly enough, this introduction echoes the words scripted for Mr. Murrow more than a quarter century earlier for Survival Under an Atomic Attack:

“Let us face without panic, the reality of our time: The fact that atom bombs may someday be dropped on our cities. And let us prepare for survival by understanding the weapon that threatens us.”

Protection addresses many of the same points as its source material does, but for some reason, does not include a scene with stick figures seeking refuge from the A-bomb on a boat. It does, however, show plenty of them rushing into a public shelter marked with the familiar black and yellow sign. Left unsaid is that, while many of these shelters remain marked, they were last stocked in the 1960s.

The biggest howler in the film comes during a recitation of a government assessment of the worst case scenario of a nuclear war:

“Defense Department studies show that even under the heaviest possible attack, less than five percent of our entire land mass would be affected by blast and heat from nuclear weapons. Of course, that five percent contains a large percentage of our population. But, even in these high risk areas, if there’s sufficient time to permit evacuation, many millions of lives could be saved. The other ninety-five percent of our land would escape untouched. Except possibly by radioactive fallout.”

The movie ends as it began with words of encouragement delivered as the earth is seen from space:

“The greatest danger is hopelessness, the fear that nuclear attack would mean the end of our world. So why not just give up, lie down and die? That idea could bring senseless and useless death to many, for protection is possible. And your own chances of survival will be much greater if you remember these facts about Protection in the Nuclear Age.”

In a strange subtextual reminder that the government is looking after the viewer like some sort of guardian angel, the animated globe morphs into the DCPA seal as the narration comes to an end.

The thing that makes Protection in the Nuclear Age somewhat unsettling is that, according to Zuckerman, it was the “last movie” many Americans might have seen if the Cold War had not ended peacefully. During the course of his research for The Day After World War III, the author learned that copies of the film had been distributed to civil defense field offices and that some of these prints had, in turn, been given to local television stations. FEMA had also distributed fifteen informational articles to local civil defense officials to provide to local newspapers in the event of an escalating international crisis. In his book, Zuckerman captures the government’s intended strategy:

“The newspaper articles would be supplemented by the twenty-five-minute television film [Protection in the Nuclear Age]…” FEMA has explained. “The cost of such materials is very low, and we estimate that the emergency newspaper articles and television films could add survivors amounting to perhaps eight to twelve percent of the U.S. population.”

Thankfully, there never came a time whenProtection in the Nuclear Age needed to be broadcast. It gathered dust on the shelves of television tape libraries. The only evidence that CONELRAD could find of the movie ever being publicly screened is from an item in the October 4, 1979 edition of the Iowa Democrat newspaper. The article mentions that it was to be shown at an open meeting of the Emmelsburg Junior Civil Defense group, The Pacers.

Protection-Nuclear Age-Screening-1979 copy

Now, while we wait to see what the A/V specialists at the Department of Homeland Security come up with, we can sit back and watch Protection in the Nuclear Age .

THANK YOU TO CONELRAD ADJECENT FOR THE FILM HISTORY AND DESCRIPTION CHECK OUT THEIR MAIN SITE CONELRAD.COM FOR EVERYTHING ON ATOMIC AND CIVIL DEFENSE HISTORY AND EVERYTHING ELSE PROBABLY THE FIRST WEBSITE DEALING WITH THIS GREAT HISTORY AND THEIR LOVE OF IT HAS HAD THEM UNCOVER LOTS OF MISSING INFORMATION AND ATOMIC PROPAGANDA MAKING THEM ONE OF THIS GENRE's GURUS.

No comments:

(1968) USAF SURVIVE TO FIGHT ATOMIC WEAPON HITS ADC BASE JETS SCRAMBLE INTERCEPT SOVIET ATTACKERS

THIS IS A CLASSIC UNITED STATES AIR FORCE TRAINING FILM THAT IS BASED ON SURVIVABILITY OF USAF BASE OPERATIONS IN THE CONTINENTAL UNITED STATES AFTER A NUCLEAR ATTACK,BASES LIKE THIS ONE WERE SCATTERED THROUGHOUT THE UNITED STATES DURING THE COLD WAR PERIOD THE AMOUNT OF PRESSURE AND RESPONSIBILITY THESE MEN HAD HAD HANDLING NUCLEAR WEAPONS THAT WERE USED ON INTERCEPTOR AIRCRAFT ,THE # AM SCRAMBLES INTO THE WINTER NIGHT NOT KNOWING IF THIS WAS FOR REAL AS BASE AIRCRAFT PEELED OUT LAUNCHING IN PAIRS SC REAMING INTO THE WINTER NIGHT WAITING FOR WORD OF WHAT WAS GOING ON. THE AIRMEN AT THESE BASES KNEW ANY ATTACK ON THE US THEY WOULD BE AMONG THE FIRST TO KNOW AND FIRST TO GO WHILE THE COMMUNITIES OUTSIDE THE GATES NEVER KNEW HOW CLOSE THEY WERE TO WAR AS THE BASES WENT TO DIFFERENT DEFCON LEVELS, THIS WAS NOT INFORMATION FOR THE PUBLIC. THE FILM STARTS AT NIGHT AND THE SAC AIR DEFENSE COMMAND LAUNCHES ITS F-101 INTERCEPTOR AIR CRAFT AND PREPARES TO RIDE OUT A NUCLEAR STRIKE AS CONFIRMATION OF INCOMING MISSILES IS CONFIRMED. THANKS TO A CLIMATE OF GUARDED DEFENSE THE AIR FORCE BASE IS ABLE TO BUILD DEFENSIVE AND SHELTER FACILITIES TO SURVIVE AND FIGHT AND AS A NUCLEAR DETONATION IS CONFIRMED ON BASE THE AIR FORCE BEGINS TO DEAL WITH THE PROBLEMS SO ITS AIR WING CAN COME BACK AND RE-ARM AND RE-FUEL A GREAT SUBJECT THAT U.S. MILITARY FORCES HAD TO PLAN FOR AND TRAIN AND THIS FILM SHOWS WHAT THEY EXPECTED, THE REAL QUESTION IS IT REALISTIC IN ITS EXPECTATION? THE ONE THING IS THAT IT IS PRICELESS THAT THE USAF MADE THIS TRAINING FILM AND ITs QUOTES LIKE "HAVE NO UMBRELLAS,IF IT STARTS TO RAIN WE WILL LET YOU KNOW." AND "YOU CALL US BECAUSE IF YOU DON'T WE WILL BE CALLING YOU" WEIRD,.. BUT STILL GREAT PROPAGANDA!FILMED AT A SAC AIR DEFENSE INTERCEPTOR BASE LOCATED IN OXNARD, OXNARD AFB CALIFORNIA 1967 THIS IS BASICALLY WHEN CLOSING OF SAC ADC BASES WAS GOING ON ALL OVER (SUFFOLK COUNTY AFB LONG ISLAND NEW YORK) RESPONSIBLE FOR THE NYC AREA FOR MOST OF THE COLD WAR.DURING 1968- EARLY 1970s MOST OF THESE AIR FORCE ADC UNITS WENT OVER TO FIGHT IN VIETNAM AND THAILAND AS FORWARD AIR CONTROL AND MUNITION LOADERS FOR USAF STRIKE PLANES USING IRON BOMBS INSTEAD OF ATOMIC MUNITIONS BOMBING NVA BASES AND NORTH VIETNAM AND THE ADC PILOTS AND BACKSEATERS WENT OVER ALSO, TO ME THESE GUYS REALLY SERVED THEIR COUNTRY PLUS ONE AND DESERVE BIG RESPECT , MY HATS OFF TO THE USAF AIRMEN OF ADC/SAC AND VIETNAM/THAILAND/LAOS

USAF/SAC AT DEFCON ONE AND CONFIDENCE IS HIGH! "EXECUTIVE DESCISION" USAF'S NUCLEAR POSTURE

PROBABLY THE MOST TELLING STORY OF USAF MIGHT AND POWER AS WAR IS UNLEASHED ON THE AGRESSOR NATION WHO IS LATER IDENTIFIED TO BE THE SOVIET UNION, THE STOCK FOOTAGE OF NUCLEAR WEAPONS BEING DROPPED BY B-47 STRATOJETS and B-52 BOMBERS ARE FROM ONCE CLASSIFIED USAF NUCLEAR TEST OPS. MOST OF THIS ENTIRE FILM IS FROM CLASSIFIED WARPLANS AND SPECIAL OPERATIONS, THIS HOMAGE TO SAC AND STRATEGIC AIR COMMANDS DEDICATION TO MISSION IS A JEWEL AND FROM A TIME WHERE THE WORLD WAS A TINDERBOX READY FOR SOMEONE TO STRIKE THE SPARK AND IGNITE A WORLDWIDE NUCLEAR CONFLAGRATION WHERE LIFE MOST LIKELY WOULD OF WENT THE WAY OF THE DINOSAUR AND ONLY MILLIONS OF YEARS LATER A FOSSILIZED REMAINS OF MAN WOULD BE DISCOVERED BY THE NEXT GENERATION THAT CAME FROM THE ASHES OF THE OLD, THIS FILM IS NOT KNOWN IF IT WAS EVER SEEN OR VIEWED OTHER THAN A HANDFUL OF HIGH RANKING USAF OFFICERS, SEE THE DESCRIPTION AND INFORMATION FROM THE NUCLEAR VAULT.COM --------------------------------------------------------------------------------------------- "The Power of Decision" may be the first (and perhaps the only) U.S. government film dramatizing nuclear war decision-making. Commissioned by the Strategic Air Command in 1956, the film has the look of a 1950s TV drama, but the subject is the ultimate Cold War nightmare. By the end of the film, after the U.S. Air Force has implemented war plan "Quick Strike" following a Soviet surprise attack, millions of Americans, Russians, Europeans, and Japanese are dead. The narrator, a Colonel Dodd, asserts that "nobody wins a nuclear war because both sides are sure to suffer terrible damage." Despite the "catastrophic" damage, one of the film’s operating assumptions is that defeat is avoidable as long as the adversary cannot impose its "will" on the United States. The film’s last few minutes suggest that the United States would prevail because of the "success" of its nuclear air offensive. Moscow, not the United States, is sending out pleas for a cease-fire. The conviction that the United States could prevail was a doctrinal necessity because Air Force leaders assumed the decisiveness of air power. The founding fathers of the U.S. Air Force came out of World War II with an unshakeable, if exaggerated, conviction that the strategic bombing of Germany and Japan had been decisive for the Allied victory and that air power would be crucial in future conflicts. (Note 1) The film’s title: "Power of Decision" embodies that conviction. The title itself is a reference to a 1948 statement by General George C. Kenney, the Strategic Air Command’s first commander-in-chief: "A war in which either or both opponents use atomic bombs will be over in a matter of days...The Air Force that is superior in its capability of destruction plays the dominant role and has the power of decision." (Note 2) A confident statement made by one of the characters, General "Pete" Larson, near the close of reel 6 flows from that assumption: the Soviets "must quit; we have the air and the power and they know it." The story begins with Colonel Dodd, standing in the underground command post of the "Long Range Offense Force" (oddly, the Strategic Air Command is never mentioned by name). Dodd discusses the Force’s strike capabilities, its mechanisms for keeping track of its strategic assets, and its war plans. That hundreds of bombers, based in U.S. territories and overseas bases, are ready to launch at a moment’s notice is the "surest way to prevent war." Dodd does not think that the Soviets are likely to strike, but if deterrence fails and the Soviets launch an attack, "this is what will happen." What "happens" is the initial detection by U.S. air defense network of the approach of Soviet bombers over the Arctic Circle. That leads to General Larson’s decision to launch the SAC alert force under plan "Quick Strike"; airborne and nuclear-armed alert bombers fly toward the Soviet periphery, but stay at position until they receive an attack order (this was the concept of "Fail Safe" or "Positive Control" although those terms were not used in the film). About an hour after the alert force is launched, General Larson receives reports of attacks on U.S. bases, followed by more information on Soviet nuclear attacks on cities and military bases in Japan and Western Europe. "That does it," General Turner (one of Larson’s deputies) exclaims. He soon receives a call on the red phone from the Joint Chiefs, who with the President, are in a protected command post. The president has ordered the execution of "Quick Strike," releasing bombers and missiles to strike the Soviet Union. This simultaneous bomber-missile "double punch" is aimed at "all elements of [Soviet] air power" [bomber bases] along with "war making and war sustaining resources," which meant strikes on urban-industrial areas and urban populations. To depict the undepictable, the film’s producers use stock footage of nuclear tests and missile and bomber launches. Once it is evident that the Soviets have launched a surprise air attack, Colonel Dodd observes that "By giving up the initiative, the West must expect to take the first blow." This statement is not developed, but for Air Force planners, "initiative" meant a preemptive attack or a first strike. By the early 1950, senior military planners and defense officials had begun considering the possibility of pre-emptive attacks on the basis of strategic warning; that is, if the United States intelligence warning system collected reliable information on an impending Soviet attack, decision-makers could approve strikes against Soviet military forces to disrupt it. Consistent with this, Strategic Air Command war plans assumed "two basic modes" for executing strike plans [See Document One below]. () One was retaliation against a surprise attack; the other "plan was based on the assumption that the United States had strategic warning and had decided to take the initiative." The SAC strike force would then be "launched to penetrate en masse prior to the enemy attack; the main target would be the enemy’s retaliatory capability." In the last part of reel 6, Air Force intelligence briefings review the destruction of the Soviet military machine, including destruction of air bases, weapons storage centers, and government control centers, among other targets. "Target M," presumably Moscow, has "been destroyed" by a nuclear weapon which struck 300 yards from the aiming point. The Soviet attack has done calamitous damage to the United States, with 60 million casualties, including 20 million wounded, but evidence was becoming available of the "success" of the U.S. air offensive. The Soviet Air Force has been reduced to a handful of aircraft, it had stopped launching nuclear strikes outside of its territory, and SACEUR [Supreme Allied Commander Europe] reports the "complete disintegration of resistance" by Soviet ground forces. Moreover, cease-fire requests are coming in from the Soviets. In this context, General Larson’s certainty that the "Soviets must quit" conveyed prevailing assumptions about the value of strategic air power. Around the time when "The Power of Decision" as being produced, a statement by SAC Commander-in-Chief General Curtis LeMay made explicit what was implicit in Larson’s observation. In an address before the Air Force’s Scientific Advisory Board in 1957 [see Document Two], LeMay argued that U.S. strategic forces could not be an effective deterrent unless they were "clearly capable of winning under operational handicaps of bad weather and no more than tactical warning." And by winning, LeMay said he meant "achieving a condition wherein the enemy cannot impose his will on us, but we can impose our will on him." Larson’s statement about control of the air dovetailed exactly with LeMay’s assumptions about winning. Little is known about the production and distribution of "The Power of Decision," or even if it was actually shown. According to the history of the Air Photographic and Charting Service for January through June 1957, on 28 May 1956, the Strategic Air Command requested the service to produce the film, which would be classified Secret. SAC leaders may have wanted such a film for internal indoctrination and training purposes, to help officers and airmen prepare themselves for the worst active-duty situation that they could encounter. Perhaps the relatively unruffled style of the film’s performers was to serve as a model for SAC officers if they ever had to follow orders that could produce a nuclear holocaust. In any event, the script for "Power of Decision" was approved on 10 May 1957 and a production planning conference took place on 29 May 1957. The contract productions section of the Air Photographic and Charting Service was the film’s producing unit. The next step was to find actors with security clearances because even the synopsis of the film was classified secret (although later downgraded to "official use only"). As the Air Force was not in the business of hiring actors, the production unit engaged the services of MPO Productions, a New York-based firm which produced commercials and industrial films. [References to MPO, Inc. are on the index cards and on "The End" frame at the close of reel 6]. What happened next, when the work on the film was completed, SAC’s assessment of the project, and whether, when, or where the film was shown, cannot presently be determined, although the information may be in the living memories of participants or viewers from those days. Note: The relatively poor quality of this digital reproduction reflects the condition of the original reels as turned over to the National Archives by the Air Force.

PROPAGANDA No.2 "Your New Sound Of Freedom"

PUBLISHED FOR BETTER UNDERSTANDING OF THE MISSION OF THE USAF AIR DEFENSE COMMAND AND THATS TARGETED FOR LONG ISLANDERS WHO LIVED NEAR SUFFOLK COUNTY AIR FORCE BASE IT WAS A PRIMARY ADC SQUADRON THAT WAS TO INTERCEPT ANY SOVIET BOMBERS OR OTHER UNIDENTIFIED AIRCRAFT OF UNKNOWN ORGIN, SUFFOLK AFB BECAME PRIMARY WHEN FLOYD BENNET FIELD CLOSED AND CEASED OPERATIONS, THE CONVAIR F102-F-106 DELTA DART AND DAGGER WERE THE MAIN INTERCEPT AIRCRAFT FROM 1958-62 WHEN THE USAF DECIDED TO USE THE F-101 VODOO ALL WEATHER INTERCEPTOR, THE F-102-106 WAS USED BY THE USAF AT SUFFOLK AS WELL AS MANY OTHER AIRCRAFT THAT WOULD COME THROUGH THE AIRBASE, EARLY POSTS ON THIS BLOG HAS NUMEROUS PHOTO'S OF THESE DART LIKE AIRCRAFT AT THE BASE, THE EARLIER AIRCRAFT WERE F-86 SABRES AND THEY WERE PHASED OUT IN 1958, THERE WERE A FEW LOST AIRCRAFT OUT OF SUFFOLK AND EVEN A FALCON AIR TO AIR MISSILE AND THE INFAMOUS 1966 "STRANGE LIGHTS MOVING AT HIGH SPEEDS OVER THE SOUTH SHORE OF LONG ISLAND" THE AD WAS TO DEFEND THE MISSION OF THESE AFB'S LOCATED IN SUBURBS AROUND THE U.S. WHO HAD THE JOB OF SCRAMBLING AND GREET ANY UNIDENTIFIED RADAR CONTACT.THROUGH THE END OF WORLD WAR 2 UP UNTIL 1970 THE STRATEGIC AIR COMMAND HAD THESE BASES SCATTERED AROUND MAJOR CITIES AND VITAL US DEFENSE CONTRACTORS, SINCE THESE AIR WINGS WERE ON ALERT THEY FLEW OUT CONSTANTLY AND 6-7 IN FORMATION FLYING LOW IS LOUD SO SUBURBAN AMERICA COMPLAINED ABOUT THE NOISE AND THE USAF AND CONVAIR STARTED A ADVERTISING CAMPAIGN TO INFORM AND EDUCATE JUST HOW IMPORTANT THAT SOUND IS. AND HOW LUCKY WE ARE TO HERE IT. DURING THE 1970s to PRESENT USAF/ADC AND OTHERB MILITARY BASES WERE CLOSED BY THE HUNDREDS, IMAGINE A CITY LIKE NEW YORK HAS NO AIR DEFENSE THE NEAREST ARMED AIRCRAFT IS 30 MINUTES AWAY , AND MOST CITYS ARE NO LONGER DESIGNATED MILITARY PROTECTION, THIS MAKES NO SENSE SINCE OUR MILITARY IS TO DEFEND THE CONTINENTAL UNITED STATES AND I REALLY DO NOT UNDERSTAND HOW OUR NATION CAN FORGET WHY WE HAVE ARMED FORCES. THEY ARE NOT FOR FIGHTING ON FOREIGN SOIL AND IF WE HAVE TO WE CAN SEND B-52S ON BOMBING MISSIONS, WE NEED TO LOOK BACK AT WHAT THIS NATIONS FOUNDATIONS WERE AND REBUILD IT, BECAUSE SOMETHING IS NOT RIGHT!

USAF/DEFENSE NUCLEAR AGENCY (1970) MEETING THE TERRORIST THREAT- GUARDING USAF NUCLEAR FACILITIES

- Meeting the Terrorist Threat, Produced by the Defense Nuclear Agency - Early 1970's - 7:30 - Color - Since the emergence of the terrorist threat, the U.S. Governments concern about the possible terrorism against nuclear facilities has intensified. This video is a dramatization. It shows how the Government has responded to this threat. The video depicts nuclear security activities at an early nuclear storage site and how a small unarmed force of intruders easily enters under the security fence surrounding the site. The protective force subdues the intruders easily. In another scene, a well-armed terrorist team enters the base and kills a roving patrol with a well-placed sniper. Security forces finally overcome the terrorists after a superior counter-force arrives. On a third entry, a terrorist team enters the site under the cover of a fellow terrorist, hidden in the forest, armed with a heavy machine gun. This terrorist team reaches and penetrates a storage igloo after the roving patrol is killed, and the rapid response force is destroyed. However, the terrorists do not escape. When the superior security force appears with helicopter support and an armored personnel carrier, the terrorists, including the machine gunner, are killed. Since this film was made, the Department of Energy (DOE) has constantly improved the training and tactics of the security forces at each installation as well as the in-place security systems. With its modern day posture, it would be highly improbable that a small group of armed individuals could forcibly enter any DOE facility and escape with a nuclear weapon or any special nuclear

(1975) RARE FOOTAGE OF ANG F-102s BASED AT SUFFOLK AFB (DECOM) FLYING OVER LONG ISLAND

THIS VIDEO SHOWS NATIONAL GUARD 2nd FIS FLYING F102s OVER EASTERN LONG ISLAND THE FLIGHT SCENES ARE DUBBED WITH A HORRIBLE MUSIC SOUNDTRACK "HIGHWAY TO THE DANGER ZONE" SO I ADVISE THAT YOU MUTE THE SOUND WHILE WATCHING THIS LAST OF THE CENTURY FIGHTERS BEING FLOWN AS INTERCEPTORS AND NOT TARGETS FOR MISSILE TESTS, THE SUFFOLK AFB NOW GABRESKI AIRPORT WESTHAMPTON HOME NOW TO THE 106th AEROSPACE RESCUE AND RECOVERY WING WHO OCCUPY AND USE THE OLD ALERT HANGARS AND USAF INFRASTRUCTURE THAT THE STRATEGIC AIR COMMAND "ADC" LEFT BEHIND WHEN THE SUFFOLK COUNTY AIR BASE WAS DECOMMISSIONED, EVEN THEN A NATIONAL GUARD UNIT USING F-102s WAS BASED THERE FROM 1969 - PRESENT.RARE CAMOFLAUGE F102s *UPDATE THE F-102 THAT SAT OUT FRONT TO PAY RESPECT TO THOSE THAT SERVED THE COLD WAR MISSION AND FLEW JET AIR CRAFT LOADED WITH LIVE NUCLEAR WEAPONS WAS SCRAPPED AND CUT UP ON BASE BY A SCRAP YARD IN A TOTAL DOUCHE BAG MOVE! I DONT CARE HOW BAD OF SHAPE IT WAS IN IT COULD OF BEEN SAVED AND SHOULD OF.JUST BECAUSE THE MISSON NOW INVOLVES HELICOPTERS YOU DONT FORGET HISTORY AND TRY TO TAKE THE LIME LIGHT BY DROPPIN A HELICOPTER IN ITS SPOT, YOU DISRESPECTED THOSE THAT SERVED A WAR COLD IN NAME BUT WAS A DIRECT THREAT AGAINST THIS NATION AND THOSE WHO FLEW THOSE JETS DURING THOSE YEARS WOULD OF GAVE THEIR LIVES TO KEEP THE POPULATION OF THIS COUNTRY SAFE, IT MAKES ME SAD TO SEE SUCH DISRESPECT AND PERSONALLY YOU CAN STICK THAT HELO UP YOUR ASSES!

FALLOUT_SHELTER_NYC

THIS SEARCH BOX CAN FIND OLDER BLOG POSTS,LINKS,AND INTERNET INFORMATION

ATTENTION!!!! PLEASE READ BEFORE ENTERING SITE